Influenced by the personal and the political, I draw inspiration from the historical and social landscape of place. Using my own rural community as a starting point, I articulate the complexity and range of the public's relationship with their nearby landscape. I point to the tension between the literal and conceptual values imbued upon a place, our interactions with wild and managed landscapes, and the convergence of ecological integrity and social well-being. I recognize we have a variety of relationships with nature and I consider how those relationships shift and reshape over time.
My project-based practice moves fluidly between sculpture, photography and drawing, allowing my ideas to dictate media, form, and process. I apply formal and conceptual strategies to re-contextualize and re-appropriate everyday objects and imagery - 2x4s, fencing, travel trailers, flowers, ash - to enable viewers to engage with the ideas being presented and connect them to their own lives.
My work is firmly rooted in my living in the West, specifically Pacific Northwest timber country. These bodies of work are my attempt at understanding the place I now call home.